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Throughout 'Holy Thursday' the reader is continuously faced with images of poverty and overbearing authority. The poem opens with images of children being marched 'two by two' into St. Paul's Cathedral. The children are very regimented, and, like the Thames, must only follow their mapped out path, not only into the church, but also throughout life. They have no freedom. These children are the orphans of London. They are charity children with no family, no love and no future.
They live under the rule of the 'grey-headed beadles', who do not really take care of these children, but wash their faces and dress them in 'red and blue and green' merely for appearances. The 'wands as white as snow' carried by the beadles appear to be good, directing and guiding the children, however, these sticks are what the children get beaten with if they do not conform to the beadles strict authority.
By describing them as the 'flowers of London town' Blake is putting an image into his audience's head of being beautiful, happy youthful children when the reality is that they are poverty-stricken and have no future ahead of them. The case is the same when Blake discusses 'the radiance all their own'. This radiance is forged; it is only on the surface. The 'radiance' beaming from the children is nonexistent; there is no hope for a free and prosperous future.
When Blake speaks of 'multitudes of lambs' he can create an image of these innocent children, being lambs heading off to the slaughterhouse. Once again, the repeated image of the children's innocence and lack of opportunity is visible. However, this line could also be referring to the oppressive nature of organised religion at the time. The 'multitudes of lambs' could be speaking of the ample number of 'blind followers', like sheep, they just follow their shepherd without questioning where he is leading them. Help with essay on 'HOLY THURSDAY' By William Blake
Blake speaks of 'harmonious thunderings'. How is it that thunder can be harmonious? This is another example of how the people of the time did not question religion or authority.
The repetition of 'innocent' amplifies the effect of the inexperienced young children and the degeneration of their youth. Bright clothes and clean faces are covering up the true, sorrowful character of the children and like an overbearing 'mighty wind' these children are being oppressed by society.
The last stanza is very sarcastic and Blake is quite ironical and reproachful concerning the hypocrisy evident here. The 'wise guardians of the poor' are not very astute at all. They do not care about the welfare of the orphans; they will merely dress them up to make it seem like they are doing their job, when the truth is that the children are not being cared for properly and are most likely being abused. The beadles are able to do this and get away with it because of their position in society and the control they have over the desolate orphans. It shows how those in power so easily manipulate people.
The final line is very astringent. It is spoken in a bitter tone and is very condescending. Blake tries to expose the hypocrisy of the wealthy church that preached the value of poverty and suffering on earth. 'Then cherish pity lest you drive an angel from your door' could be referring to the church as the angel, which really is not the case, as they do not cherish and love these children; they are simply condemning the orphans to an ill-fated life of injustice and destitution through their oppressive authority.
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