What is a play

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Since the great tragedies of Aeschylus, Sophocles, and Euripides in the fourth century before our era, theaters and their architecture have changed considerably, but plays in their essence maintained the same characteristics. As in the past, the audience today can enjoy a story that is brought on stage by actors. It is understandable why theaters and theatrical performances still after many centuries are so popular. Most spectators agree that it is an unforgettable feeling to face a colorfully illuminated stage with live actors dressed in their bright costumes accompanied by excellent musicians and a sweet smell of perfume. Not surprisingly, performing art centers are full of people, some willing to learn and understand, some coming to relax and enjoy a quiet evening. There are three main characteristics of a play A play is a piece of literature produced by a director, it contains a dialogue between characters, and it is performed by actors.

First, a play is a piece of literature produced by a director. It is a story brought to life on stage. A playwright takes a story or idea he or she wants to share with an audience, plots the action, and creates the characters. A producer then oversees the production, and can therefore put his own interpretation on it, influencing the audience. There usually is an introductory speech given to the audience at the beginning of the play. In one-act plays, the entire action of the play is performed start to finish without any break. In a two-act play, the action is divided into two sections and is played with a break between them. A three-act play has two breaks that separate three sections of action. There are plays with more than three acts, but they are rare and tend to be rather long. The final production of a play depends heavily on producers creativity, mainly when the play takes place at several locations and a special stage setting is needed for each of them. For instance, Jean-Paul Sartre's The Flies begins with the action taking place on a city's square in

Act I, continues in mountains in Act II, and finishes in a different city's temple in Act III. On the contrary, in Arthur Miller's Death of a Salesman, both acts take place in the same kitchen of the same house. Decisions regarding stage setting are producers responsibility and can dramatically affect the performance.

Second, a play contains a dialogue between characters. This serves to better illustrate a human conflict. The number of characters in a theatrical work may differ. One-character performances are rare and often use another character that appears as invisible. For example, Jean Cocteau's The Human Voice consists of a telephone conversation where the second person is not seen. In Samuel Beckett's Happy Days only one sentimental woman appears on the stage, buried to her neck in a sand dune. There is another character in the play, but this one is hidden, and we only hear his breath. In the everyday life, communication occurs between two or more people and there usually arises a conflict. Two- or more-character plays present this conflict as part of maintaining audience's attention and adding to the flexibility of the work. Both dialog and monologue can also be combined in one theatrical performance. In Eugène Ionesco's The Chairs there is a dialog between two people, a conversation with several invisible people, and, at the end, a monologue by a narrator. This richness of various kinds of communication with the audience contributes to the vividness of the play.Cheap custom writing service can write essays on What is a play

Third, a play is performed by actors. There is no play without actors. An actor is a mean of communication between the playwright and the audience and is therefore the main and the most important component of a theatrical performance. Actors play their roles in order to entertain, inspire, and educate audiences about life or topics chosen by the playwright. Whether it is a tragedy, a serious play based on important issues, or a comedy, a humorous play, through words and action actors introduce and examine specific elements such as social attitudes or individual behaviors of the times the play was written. Samuel Beckett's Waiting for Godot, for example, introduces its audience to the existential questions with which people had to deal while living in Paris during the mid-twentieth century. It shows them the loneliness, alienation, and rejection of an individual as a result of the impossibility to communicate with others. The actors bring the audience to Beckett's times and educate them about life of the period of time. In the same way, Jean Cocteau's tragedy Orpheus, introduces its readers to the world of death, a matter otherwise not easily understandable. Death for Cocteau is not a negative force but an inspiration, and the audience must enter that world in order to comprehend it. This is made possible thanks to the physical interaction between actors and the spectators. Actors here have a key role in communicating the playwrights message.

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