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Q Verbal and visual language in Bowling For Columbine
Documentary film is a medium that communicates effectively through a combination of both visual and the verbal language. Bowling for Columbine by filmmaker Mike Moore uses this combination effectively to condemn the prevalence of gun crimes in America and to explore the cause of America's "love affair with guns". The documentary doesn't answer all questions posed by Moore, but it certainly represents America as a very troubled society.
One of the issues raised early in the documentary is how ridiculously easy it is to obtain guns and ammunition in America. Moore uses a sequence in the exposition of the film where he finds a bank that is offering a free rifle when an account is opened. We see Moore filling out the application, receiving his gun and then we hear him ask, "Well here's my first question, don't you think its dangerous handing out guns in a bank?". The combination of visual and verbal language here is very humorous for an audience as remote from the problem as we are in Australia. Moore effectively uses black comedy here to illustrate the issue of the easy availability of guns in America.
Later there is a sequence which effectively combines music and a sequence of historical footage, together with subtitles, to condemn America's inclination to 'shoot first and ask questions later'. While the Louis Armstrong song "What a Wonderful World" plays, Moore employs a montage of historical footage showing America's questionable political involvement in many countries. For example America's arming of Suddam Hussein and funding of the Taliban. The irony is made especially poignant by the deliberate mismatch of the lyrics and sentiment of the song with the pictures of assassinations and factual information in the subtitles. In this combination, Moore is suggesting that America's violent tendancies is a problem which reaches right up to their leaders in the White House.Cheap Custom Essays on Verbal and visual language in Bowling For Columbine
Another effective combination of visual and verbal language is used by Moore to make the point that America's media perpetuate the fear that is felt in their society. Moore uses a combination of news stories each progressively more ridiculous, especially when they are constructed as a montage. We hear the news reader describing the the dangers of everything from riding escalators to "killer African Bees" and see the visuals which accompany these stories. Moore is demonstrating that it is the media sensationalism which is at least partially the cause of their society's fear and that these fears are irrational.
Finally in one of the most moving sections of the documentary Moore interviews the Principal of six year old Kayla Rowland, the youngest victim of a shooting in America. As the interview progresses the Principal becomes visibly upset, we see Moore comfort her and say how sorry he was. The moment is interrupted by a voiceover that we have heard previously in the documentary, Charlton Heston saying "From my cold dead hands". Moore explains that Heston spoke at an NRA rally in the Kayla Rowland's hometown after the shooting, in exactly the same way as after the massacre at Columbine. The abrupt interruption and the combination of the voiceover positions the viewer to read Heston's actions as cold and calculated, in complete contrast to Moore's comforting the Principal. Moore's construction of the NRA as gun fanatics is clear as a result of this combination.
In conclusion Moore uses verbal and visual language effectively to represent his thesis and convey his intended message in Bowling For Columbine. Whether he uses it satirically to make us laugh, or to make us incredulous, or to make us think, the combination is highly effective.
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