Chapteralso

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In this chapter we are introduced to guidelines that an artist might follow when he/she set out to do a composition. In this chapter they defined five major principles of design. The principles of design discussed are unity and variety, balance, emphasis and subordination, scale and proportion, and rhythm.

The first principles of design are unity and variety. In unity the artist is looking to establish a constant. He/she may repeat a form or shapes. To achieve variety the artist might make the constant in a different color. This unity and variety make the work coherent and interesting.

The artist distributes visual weight evenly across the work and establishes balance. When an artist is looking to establish balance there are two types of balances that can be accomplished, symmetrical and asymmetrical. Symmetrical balance is accomplished when the center is a vertical axis. Images on left side correspond to images on right side. Asymmetrical balance has two sides that do not match. The art is balanced do to the fact that corresponding sides have a similar weight value.

Another principles of design are emphasis and subordination. These two concepts complement each other in a way that emphasis creates a focal point and subordination makes parts of the art less visual and therefore highlighting the focal point.

Yet another principle is scale and proportion. Scale is a size in relation to actual size. Proportion is a relationship between parts of a whole. Scale and proportion both deal with the size of the object in the work of art.

The last but not least is Rhythm. Rhythm is a concept of repeating a same patter in an order. Just like a poem that rhymes a painting can have recurring theme that repeats and creates a rhythm.

In this chapter we were introduced to the principles of design. This was an edition to our learning the elements of design in the previous chapter. These two define what artists consider before taking on a project.

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